DJNY #2: DJ Eco

An architect by day, a college student by night, and a DJ by even later night; it's never a dull moment for Marcello Pacheco (aka DJ Eco), a New Jersey native and one of electronic dance music's brightest up-and-coming producers.

His career has been rising to new levels in 2010 with his recent hits "And We Flew Away" and "Staring At The Sea" getting countless plays from some of the top DJ's around the globe.

On April 2 at the Roseland Ballroom in NYC, Eco will play alongside such trance legends as Armin Van Buuren and Rank 1 at his biggest show yet- A State Of Trance 450.

But what's the story behind all of his great tunes and club performances? Here's what he had to say...

In The Studio…

Binarysound: When did you get into the production game and what programs were you using when you first started out? 

DJ Eco: I started when I was about 14 using Fruity Loops and I was doing really, really basic stuff. The influences I had at the time were the local Webster Hall trance CD and some of the rave guys like DJ Micro and DJ Mind-X. I actually would make a good 20 or 25 tracks and put them on a CD and sell them for $5 to kids at my high school. I sold about 20-30 CD's that way.  

BSound: What did those tracks on those CD's sound like compared to your recent work? 

Eco: I was finding my way with different sounds on Fruity Loops and I was trying to emulate as much as possible the kind of early Tiesto stuff I was listening to. It was definitely ten steps down from what I'm capable of now, but I can see some resemblance. I was very interested in putting these intricate melodies together and that was the start and aim of my music.

I also was definitely interested in harder trance and hardstyle. A lot of my earlier productions were really intense- like 145bpm, which was similar to guys like Cosmic Gate, DJ Isaac, etc., early on. So my first stepping stones were with that. 

Bsound: With your current productions, how do you sit down and think 'this is the melody I'm going to write for this song'? 

Eco: I'm actually a lot different than most producers because I'm very busy- I have a job and I also go to school, so I have really little time. A lot of my writing is done on my laptop in a bus or subway going somewhere, so the basic barebones melody writing is done in those places.

So whatever happens or influences me at those moments I put it down to sound then I go back home and refine that later in the studio and put it all together in terms of making a coherent song. It's a little bit of everyday inspiration, and kind of cliché, but I write it them in weird places.  

Bsound: So New York City is an inspiration in your songwriting? 

Eco: Yea. You can hear that some songs are sadder and others are really happy depending on something I see that day, some place I'm at, or something I've overheard in a park. The different places where I put it together influence what comes out as far as putting the melodies on the computer. 

Bsound: Your released your latest production- "Staring At The Sea", under a 'Pacheco' moniker. What's the deal with this new name? 

Eco: It's another name I'm currently developing with Flashover Recordings. It's for releasing material on other labels for legal reasons but I'm also trying to do something different and push the boundaries a little bit more compared to some of my other work. 

You can notice, especially in "Staring At The Sea", that it's really weird, or at least that's some of the feedback I get from people who have heard it. Like people's first reactions to hearing it were "oh what are all these little sounds? I can't keep track of what's going on". I'm really trying with that song and another song called "Dancing Under Streetlights" that's coming out under that moniker to do something different, even though that's my general approach to songwriting. But I'm kind of pushing it further with Flashover since they're a label that, in my opinion, encourages that. 

BSound: I saw that you were producing a remix of "The Saltwater Room" by Owl City. It struck me as kind of odd for someone like you to remix this song. What kind of treatment are you giving this track and how did you get the idea to remix it? 

Eco: Before the success of Owl City's Fireflies album, Universal wasn't really expecting that to be so popular so they said they wanted to do a second wave of promotion with a remix album. I was one of the artists that were asked to be involved with the project, but the album is actually on hold. 

I finished the remix and they liked it a lot but as far as releasing it it's on hold until further notice. As for the style of the song, it's an ambient/chillout track that oddly enough sounds similar to the style of Kaleidoscope by Tiesto. It has really big pads, a lot of chord progression and treatment on the vocals, but overall it's slower than my usual stuff and more loungy.  

Bsound: Any chance that we'll ever see this track or if the album will come out? 

Eco: The album's not really going anywhere- but I might just release it for free, which is something I like to do every once in a while. 

Bsound: On your MySpace there's a banner ad for a mix album by you called "The Sound Of (You)th". Is that something coming out soon? 

Eco: It's something I put up there but I haven't finished yet. I'm always putting out promotional mixes and mix CD's that usually have some theme to them. So "The Sound Of (You)th" is one that I want to do as three or four part CD mix with the theme of it being the sound of my everyday life. For example, one CD would be a lot of the chillout and lounge stuff I listen to, and another would be heavy headliner trance. I want to make the mix transition like that but I haven't been able to finish it all of it yet. It's nothing official- I wouldn't be selling it, but it would be a free download to let people get an idea of what I'm listening to when I'm not producing or DJing- something a bit different from the norm. 

Bsound: What kind of feeling do you get when you hear someone else playing one of your tracks on a radio show or during a live set?

Eco: It's pretty incredible. I've gotten more and more used to it- at first I would go crazy and dance and my friends would go out of control. But now I kind of just stand there and see the audience's reactions and take in the details of people singing along or whistling to the melodies- whatever happens to be going on at that particular moment whether it's a live broadcast or performance.

Bsound: Out of all the songs you've made, which ones are your favorites? 

Eco: "Tonight Is Forever" and "Staring At The Sea". The melody from "Tonight Is Forever" seems to still surprise me even though I've heard it a few hundred times. For "Staring At The Sea", I put a lot of time and effort into the subtleties and the small sounds, and I'm very happy with how they all come together to make a song.

A State Of Trance 450… 

Bsound: What was your reaction when you first heard that you were going to play on April 2? Was this booking something you were expecting or did it just come out of the blue? 

Eco: I found out about it the day before the lineup was announced. The original email I was supposed to get was lost in the spam folder of my inbox so I never read it. Then Armin's manager contacted me and asked me if I could confirm if I was playing, and I said "of course I can confirm". After that I gave all my closest friends a call to tell them the news, as they have been waiting for that opportunity for a while, even longer than I have [laughs]. 

Bsound: What do you plan to do with the one hour timeslot you have at that show? 

Eco: Here in New York I've been doing a lot of opening sets for other guys and it's been an amazing opportunity where I try to explore different sounds. Opening for Marco V recently is one example and opening for Cosmic Gate is another. 

But as I'm on early that night I don't want people to assume that I'm going to play that way. I'm really going to go all out as far as introducing some new songs and picking out my favorite tracks from my favorite producers. I want to create an overall headliner feel for my set rather than the usual thing that the New York crowd is used to- which is me opening up for other guys. I'm trying to come out of my shell and hopefully give people something to talk about.

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Those who want to watch DJ Eco spin, but can't wait for A State Of Trance 450 in April, can catch him at Love on March 12, sponsored by Massive Event. Eco will be joined by locals Harji & Watson, Wayde Rafnel, MadRiverRai, Jay Kinard, Rob Stevens, and Brendan Bartels. 

[Image credit: Tianbek.net and Nightreveler.com]